Built by draughtsmen and boilermakers

In the opening passages of his essay SHIPBUILDING, Sir Nathaniel Barnaby, K.C.B (late Director of Naval Construction, Whitehall), paints a picture of a lost time of still earlier naval majesty, a picture imbued with those same glorious and sombre, sun-set colours that Turner used to depict "The Fighting Temeraire" being towed away to the breaker's yard. It is a long, elegiac preamble, such as has no proper place in a work of reference, and typical of the verbiage that would be culled from the 'definitive' 10th edition of Britannica.

"WITHIN the memory of the present generation shipbuilding, like many other arts, has lost dignity by the extended use of machinery and by the subdivision of labour. Forty years ago it was still a "mystery" and a "craft." The well-instructed shipbuilder had a store of experience on which he based his successful practice. He gained such advantages in the form and trim and rig of his vessels by small improvements, suggested by his own observation or by the tradition of his teachers, that men endeavoured to imitate him, neither he nor they knowing the natural laws on which success depended. He also had a good eye for form, and knew how to put his materials together so as to avoid all irregularity of shape on the outer surfaces, and how to form the outlines and bounding curves of the ship0 so that the eye might be compelled to rest lovingly upon them. He was skilled also in the qualities of timber. He knew what was likely to be free from "rends" and "shakes" and "cups" which would cause leakage, and which would be liable to split when the bolts and treenails were driven through it. He knew what timber would bear the heat of tropical suns without undue shrinking, and how to improve its qualities by seasoning. He could foretell where and under what circumstances premature decay might be expected, and he could choose the material and adjust the surroundings so as to prevent it. He knew what wood was best able to endure rubbing and tearing on hard ground, and how it ought to be formed so that the ship might have a chance of getting off securely when she accidentally took the ground or got on shore. Such men were to be found on all the sea-coasts of Europe and on the shores of the Atlantic in America.

"A great change came over the art when steam was introduced. The old proportions and forms so well suited for the speeds of the ships and for the forces impressed upon them were ill adapted for propulsion by the paddle, and still less so for propulsion by the screw. Experience had to be slowly gained afresh, for the lamp of science burned dimly. It needed to be fed by results, by long records of successes and failures, before it was able to direct advancing feet. The further change from wood to iron and then to steel almost displaced the shipwright. Ships for commercial purposes may be said to be built now, so far as their external hulls are concerned, by draughtsmen and boilermakers. The centres of the shipbuilding industry have changed. The ports where oaks (Italian, English, and Dantzic), pines from America and the north of Europe, teak from Moulmein, and elm from Canada were most accessible,-these marked the suitable places for shipbuilding. The Thames was alive with the industry from Northfleet to the Pool. It still lingers, but it is slowly dying out. Travellers along the Mediterranean shores from Nice to Genoa mark the completeness of the change which a few years have made. The Tyne and the Clyde and the Mersey have become the principal centres of the trade. [...]"

The many pages that follow detail the new science of shipbuilding , its remarkable advances and achievements (even to the thickness of ironclad armour). The opening remarks imbue this with a strange resonance for the modern reader, who might ponder the vanishing traces today of the dignified labours of the draughtsmen and boilermakers of Liverpool, Glasgow, or Sunderland.

43. Great scousers in history (part 1)

Here's an inspiring, brief biography of an inspiring, brief life. All the story of science that followed, from falling apples to men on the moon, is reflected at the moment an excited young clergyman rushes from his church, grasping a pocketbook of laboriously scribbled notes, toward a quiet spot where the dying light of the winter sun burns along the length of a brass telescope, standing patiently in the cold flat fields of West Lancashire.

"HORROCKS, JEREMIAH (1619-1641), an astronomer of extraordinary promise, blighted by a premature death, was born in 1619 at Toxteth Park, near Liverpool. Of the circumstances of his family little is known, further than that they were poor, but the register of Emmanuel College, Cambridge, testifies to his entry as sizar, May 18, 1632. Isolated in his scientific tastes, and painfully straitened in means, he pursued amid numerable difficulties his purpose of self-education. His university career lasted three years, and on his return to Lancashire he devoted to astronomical observations the brief intervals of leisure snatched from the harassing occupations of a laborious life. In 1636 he met with a congenial spirit in William Crabtree, a draper of Broughton, near Manchester ; and encouraged by his advice he exchanged the guidance of Lansberg, a pretentious but inaccurate Belgian astronomer, for that of Kepler. He now set himself to the revision of the Rudolphine Tables (Published by Kepler in 1627), and in the progress of his task became convinced that a transit of Venus overlooked by Kepler would nevertheless occur on the 24th of November (O.S.) 1639. He was at this time curate of Hoole, near Preston, having recently taken orders in the Church of England, although, according to the received accounts, he had not attained the canonical age. The 24th of November falling on a Sunday, his clerical duties threatened fatally to clash with his astronomical observations ; he was, however, released just in time to witness the punctual verification of his forecast, and carefully noted the progress of the phenomenon during half an hour before sunset (3.15 to 3.45). This transit of Venus is remarkable as the first ever observed, that of 1631 predicted by Kepler having been invisible in Europe. Notwithstanding the rude character of the apparatus at his disposal, Horrocks was enabled by his observation of it to introduce some important corrections into the elements of the planet's orbit, and to reduce to its exact value the received estimate of its apparent diameter.

After a year spent at Hoole, he returned to Toxteth, and there, on the eve of a long-promised visit to his friend Crabtree, unexpectedly expired, January 3, 1641, in the twenty-second year of his age. It is difficult to over-estimate the services which, had his life been prolonged, this singularly gifted youth might have rendered to astronomical science. To the inventive activity of the discoverer he already united the patient skill of the observer and the practical sagacity of the experimentalist. Before he was twenty he had afforded a specimen of his powers by an important contribution to the lunar theory. He first brought the revolutions of our satellite within the domain of Kepler's laws, pointing out that her apparent irregularities could be completely accounted for by supposing her to move in an ellipse with a variable eccentricity and directly rotatory major axis, of which the earth occupied one focus. These precise conditions were afterwards demonstrated by Newton to follow necessarily from the law of gravitation.

In his speculations as to the physical cause of the celestial motions, his mind, though not as yet wholly emancipated from the tyranny of gratuitous assumptions, was working steadily towards the light. He clearly perceived the significant analogy between terrestrial gravity and the force exerted in the solar system, and used an ingenious experiment to illustrate the composite character of the planetary movements. He also reduced the solar parallax to 14" (less than a quarter of Kepler's estimate), corrected the sun's semi-diameter to 15' 45", recommended decimal notation, and was the first to make tidal observations."

More, indeed probably all there is to find, can be read about this great, scouse pioneer of science at this page hosted by the University of Central Lancashire's Transit of Venus webpage. Unfortunately, if you missed it in 2004, it will be another 120 or so years before anyone can take the opportunity to repeat Jeremiah's historic observation. There are plaques and so forth to Horrock's memory at the Ancient Chapel of Toxteth (where he is presumed to have prayed and studied as a boy, and thought to have been buried in an unmarked grave), the nearby St Michael's church (the one with the pink tower), and opposite Newton's memorial in Westminster Abbey. Lower Lodge, where Horrocks is believed to have been born, stands no more, but was within spitting distance of Barleycorn Towers, where this electro-aetheric remembrance has been composed.

35. i) Dusty books and silence

Last week, here at the European Capital of Culture 2008, we were blessed by no less august a figure than Andy Burnham, the government’s Culture Secretary, outlining the glorious future for Britain’s libraries in the 21st century, “far removed from the stereotype of dusty books and silence.” Libraries, we are thrilled to hear, will be put at the very heart of communities, and all kinds of excitement and fun will be contained therein.

Liverpool, like most UK cities, has a splendid record of doing its very best to banish the association of libraries with mere dusty books, by selling volumes acquired at public expense off at 10p a book, at a rate sufficient to keep the city’s antiquarian book dealers in business. By rigorously applying the criteria of popularity of a given volume to determine whether it remains in the collection, libraries are managing to gradually phase out the fuddy-duddy ramblings of yesteryear with the latest Buffy the Vampire Slayer serialization. I am not complaining : recent acquisitions to the Barleycorn collection have included Nelson's Purse ("the rise and vertiginous fall of Nelson's confident, Alexander Davison") printed way back in 2004, and The Shield of Achilles : War, Peace and the Course of History (2002), which were together worth paying less than the price of a pint of milk for.

Last month The Times managed to hilariously put recent relaxations of prohibitions against food and talking to the test by sending a reporter round to various London libraries to talk loudly on her mobile phone and spill doughnut crumbs and cola on the books. What larks, Pip!

Volume 14 of the ninth edition of Encyclopaedia Britannica contains the fascinating and extensively researched article LIBRARIES by H. R. Tedder, F. S. A., Librarian, Athenaeum Club, and E. C. Thomas, B. A., Secretary, Library Association, London. As well as a history of libraries, advice on the collection and maintenance of a library, there is also a survey, accompanied by a table consisting of ten pages of statistics, of the collections of every library in the United Kingdom and the principal libraries of the rest of the world. It is impressive and striking as an attempt to provide something of an index to all the printed knowledge of the planet, circa 1882.

The historical portion of the article gives a fascinating impression given of the fragility, across the ages, of the process by which knowledge has been transferred, and a tantalising vision of all that has been lost to dust and fire.

“The researches which have followed the discoveries of Botta and Layard have thrown unexpected light not only upon the history but upon the arts, the sciences, and the literature of the ancient civilizations of Babylonia and Assyria. In all these wondrous revelations no facts are more interesting than those which show the existence of extensive libraries so many ages ago, and none are more eloquent of the elaborateness of these forgotten civilizations.

“In the course of his excavations at Nineveh in 1850, Layard came upon some chambers in the south-west palace, the floor of which, as well as of the adjoining rooms, was covered to the depth of a foot with tablets of clay, covered with cuneiform characters, in many cases so small as to require a magnifying glass. These varied in size from an inch to a foot square. […] These tablets formed the library of the great monarch Assur-bani-pal -the Sardanapalus of the Greeks - the greatest patron of literature among the Assyrians. It is estimated that this library consisted of some ten thousand distinct works and documents, some of the works extending over several tablets. The tablets appear to have been methodically arranged and catalogued, and the library seems to have been thrown open for the general use of the king’s subjects. [See Menant, Bibliothéque du Palais de Nineve, Paris, 1880.] A great portion of this library has already been brought to England and deposited in the British Museum, but it is calculated that there still remain some 20,000 fragments to be gathered up. [...]"

Complaints of cultural imperialism would be entirely out of place here, but it is kind of fun to read a throwaway contemporary reference to the British Museum's hoovering up of artifacts and antiquities.

There follows an account of the ancient Greek libraries, centering on those of Alexandria. I had a vague idea that the destruction of that renowned repository of learning was a particular and infamous event in history : it transpires that the historical truth is more complex.

"When Caesar set fire to the fleet in the harbour of Alexandria, the flames accidentally extended to the larger library of the Bruchium, and it was destroyed. [Parthey (Alexandrinisches Museum) assigns topographical reasons for doubting this story.] Anthony endeavoured to repair the loss by presenting to Cleopatra the library from Pergamus. This was very probably placed in the Bruchium, as this continued to be the literary quarter of Alexandria until the time of Aurelian. [...] The usual statement that from the date of the restoration of the Bruchium under Cleopatra the libraries continued in a flourishing condition until they were destroyed bafter the conquest of Alexandria by the Saracens in 640 A.D. can hardly be supported. It is very possible that one of the libraries perished when the Bruchium quarter was destroyed by Auralian, 273 A. D. In 389 or 391 an edict of Theodosius ordered the destruction of the Serapeum, and its books were pillaged by Christians. When we take into account the disordered condition of the times, and the neglect into which literature and science had fallen, there can be little difficulty in believing that there were but few books left to be destroyed by the soldiers of 'Amr. The familiar anecdote of the caliph's message to his general (vol. i. p. 494) rests mainly upon the evidence of Abulfaragius, so that we may be tempted to agree with Gibbon that the report of a stranger who wrote at the end of six hundred years is overbalanced by the silence of earlier native annalists. It is, however, so far from easy to settle the question that a cloud of names could easily be cited upon either side, while some of the most careful inquirers confess the difficulty of a decision."

This underlines something brought to mind recently, when I heard on the radio some academic or politician speaking of a constant cultural effort throughout 19th century British academia to denigrate the Arabic and Islamic world. I have yet to scour the pages of Britannica for references which may support or refute this assertion ; my general impression at the time was that the statement was some way off the mark, : this article supports that notion. Elsewhere, where the authors write of libraries in the dark and middle ages, this is emphasized again. After speaking of the fragile flame of learning preserved by monastic tradition (with its own repeated outbreaks of hostility against the writings of earlier pagans), we read :

"The first conquests of the Arabians, as we have already seen, threatened hostility to literature. But, as soon as their conquests were secured, the caliphs became the patrons of learning and science. Greek manuscripts were eagerly sought for and translated into Arabic, and colleges and libraries everywhere arose. Baghdad in the East and Cordova in the West became the seats of a rich development of letters and science during the age when the civilization of Europe was most obscured. Cairo and Tripoli were also distinguished for their libraries. The royal library of the Fatimites in Africa is said to have numbered 100,000 manuscripts, while that collected by the Omayyads in Spain is reported to have contained six times as many. It is said that there were no less than seventy libraries in the cities of Andalusia. Whether these figures be exaggerated or not - and they are much below those given by some Arabian writers, which are undoubtedly so - it is certain that the libraries of the Arabians and the Moors of Spain offer a very remarkable contrast to those of the Christian nations during the same period."

Still to come : Tedder & Thomas's catalogue of the world's libraries, and how best to avoid the fatal proclivity of book-binders.

28. (i)The merry conceits of Squire Punch

The city of Liverpool, over this grey and rainy September weekend, will experience one of the highlights of its year as European Capital of Culture, in a spectacular performance by the French puppeteers La Machine. The Barleycorn family will be off in an hour to witness the awakening of a giant spider from the depths of space, which promises to spend the next three days marching around the city centre, possibly killing and devouring any hapless scousers that get in its way. The spectacle has apparently cost in the region of £2 million. Better value, perhaps, than the Lord Mayor, footballers' wives, and a handful of soap opera stars emerging from a cargo container, and twenty minutes of Ringo banging drums on top of St George's Hall that launched the year's festivities.

La Machine's arachnid has the precedent of the company's giant pachyderm which transfixed London in 2006. The MARIONETTES article from the ninth edition of Encyclopaedia Britannica offers some historical precedents which may not meet the scale of today's cunning Gallic performers, but which may well have left a similar awed impression on the audiences of their day.

[The Spectator of 1711] refers also to Pinkethman, a "motion maker," in whose scenes the divinities of Olympus ascended and descended to the strains of music. An idea of the class of representation may be gathered from an advertisement of Crawley, a rival of Pinkethman, which sets forth - "The Old Creation of the World, with the addition of Noah's Flood,"also several fountains playing water during the time of the play. The best scene represented "Noah and his family coming out of the ark, with all the animals two by two, and all the fowls of the air seen in a prospect sitting upon trees ; likewise over the ark is the sun rising in a gorgeous manner; moreover a multitude of angels in a double rank," the angels ringing bells. "Likewise machines descending from above, double, with Dives rising out of hell and Lazarus seen in Abraham's bosom ; besides several figures dancing jigs, sarabands, and country dances, with the merry conceits of Squire Punch and Sir John Spendall." Yates showed a moving picture of a city, with an artificial cascade, and a temple, - with mechanical birds in which attention was called to the exact imitation of living birds, the quick motion of the bills, just swelling of the throat, and fluttering of the wings. The puppets were wax figures 5 feet in stature. Toward the end of the 18th century, Flocton's show presented five hundred figures at work at various trades. Brown's Theatre of Arts showed at country fairs, from 1830 to 1840, the battle of Trafalgar, Napoleon's army crossing the Alps, and the marble palace of St. Petersburg ; and at a still later date Clapton's similar exhibition presented Grace Darling rescuing the crew of the "Forfarshire" steamer wrecked on the Fern Islands, with many ingenious moving figures of quadrupeds, and, in particular, a swan which dipped its head into imitation water, opened its wings, and with flexible neck preened and trimmed its plumage.